21 Comments
  1. Aoku .png says

    That was funny as hell

  2. treasurecompanion says

    Thank You 😊

  3. Natzure says

    3:33 in other words:

    "This wasn't here before. I'm just painting over it."
    "This, as well, wasn't here before. I'm painting over it"
    …….
    …….
    …….
    ……."

  4. Angela J says

    Thank you so much, clear, direct and understandable instructions. Really appreciate this 🙂

  5. Luka Saparnyte says

    😘😘😘

  6. Kat Sokol says

    For art prints as well do we need to sign and date the back????? Or would that be on the certificate of authenticity?

  7. Kat Sokol says

    Thank you! This was extremely helpful. I have an 8 x 10 print of a black and white photograph. I shot using the methods you suggested and it came out great! It is on epson velvet fine art paper. When I put it on saatchi I don't want to bend the paper. Should I suggest the shipping option with a box and use a rigid flat mailer???? Just starting out. Thank you!

  8. Devin Munich says

    Then there’s me, just setting it on the floor and taking a picture with my phone XD

  9. andrea simons says

    how much the suit? 🙂

  10. Debbie Sullivan says

    Thank you!

  11. Paul Knowles says

    An excellent video presentation…….offering all the wrong advice. I've seen a few How to Vids now offering the same bad info.

    Using Natural light is a terrible Idea as it's can't be controlled. Ideally you want a studio environment where the light source, temperature and exposure is constant. Natural light can shift in colour temp massively from bright sunlight to clouds in seconds. For a workflow, you don't want to spend your time constantly correcting colour temp white balance and exposure.

    A Douglas Grey Card is essential to achieve the correct Exposure.

    A White Balance Card is also essential.

    Very soft diffuse light is also essential evenly light from left to right, with no overhead light sources.

    I think i'll make a proper vid explaining this.

  12. woodsidepark says

    Does anyone know what the thing he propped the painting on is called? Is it an easle? A stand? Help please!

  13. Randolph South says

    Explains what the saachit folks consider art.CONtemporary

  14. Taylor Francque says

    What camera is this?

  15. And how to take it good with mobile phone?

  16. Glenn C says

    Lmao, taking a photo took longer time than creating the art, applicable to modern day real life art industry lol.

  17. Ashley Downing says

    When you low key make a post modern masterpiece in a snap.

  18. MarinosCh says

    turn off image stabilization when using a tripod

  19. Eine kleine Nachtmusik says

    Camera? Did you buy that at Walmart? I thought this was S&S. I have a D810. Shoot in RAW, baby! And Picasa? You've got to be fucking kidding me. What artist doesn't know how to use Lightroom in conjunction with Photoshop?

  20. Tal Miz says

    summary:

    positioning& lighting:

    1) make art
    2) if it's canvas-great. if on loose paper / cardboard , match to something that can hanglean on the wall.
    3) choose location with bright soft light. (harsh direct lighting can cast shadowscreate reflections & shift the colors.)
    a large window is good. in an overcast day you can shoot outdoors.

    camera handling:

    4) set iso to 100 or 200 (depending on the camera model)
    5) use a microfiber cloth to clean any dirt or smudges off of your lens.
    6) make sure camera wont move while taking pictures. use tripod. or flat level surface.
    7) make sure work angle is parallel to the lens of camera. tilt the camera to match angle.
    8) – if photographing an installation or sculpture, use clean background. the work should be the only object.
    9) leave small amount of space between the canvas and the frame. (this will max the image quality)
    10) position camera vertically/horizontally to match angle of canvas.
    11) no flash

    12)you should adjust the white in the image to the white you see.
    if camera is making it orangeblue, try using preset to your lighting environment. (in this case: daylight)

    13) shut other lightsources. (wont mix well with the other light)
    14) use self-timer to keep camera still while shooting.
    15) zoom in a little. (not too much & not no zoom)
    16) aperture set to f8

    after shooting:
    17) look: is the shot too darklight? use exposure compensation in your camera to correct it.
    18) the color&exposure in photo should be as close as possible to the original artwork.
    19) too much computer manipulation can ruin image file.
    20) make sure focus is good (not too softblurry)
    21) take several shots
    22) dont pack until you look in the computer (big screen shows flaws) you may need to retake photos.

    on the computer:
    23) crop so there's no edges
    24) double check
    25) zoom in and retouch photo problems.
    26) boost contrast to equal original but not too much.
    27) save as .jpeg and save it in max quality.

    hope the summary was helpful. if it was say hi 🙂

  21. Zachary Chase says

    Thank you very much for your straight forward explanation here! I was struggling finding any decent ones.

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