Are these photographers CHEATING?

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Are these photographers CHEATING? // What constitutes cheating in photography? How much image manipulation is allowed before an image becomes a lie? Is anything game in these days of advanced post production? In this video I look at photographs that walk a line between truth and lies. Some have caused much controversy, some have been accepted as fine. What is it that really matters in photography? Are our expectations of ‘truth’ too high?

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25 Comments
  1. geody3001 says

    The answer is quite simple: If it is art, it is not a lie, no matter how it is created. If it is ostensibly documentary, but misleads the viewer, it is a lie. By the way, there is no such thing as a true story.

  2. Christopher Smith says

    It's all setting and managing expectations. Fiction can be more true than reality when it details appropriate abstractions of reality. It isn't really a matter of whether or not the images are manipulated but rather why they are. The added airplane feels like weak photography because the main desirable element of the image is something like "wow, what are the chances of getting that shot". Without the plane the image is not very notable and without the feeling of chance invoked the final composition isn't very desirable even though it is visually more complete.

    With Fargo, the movie makes you want to feel a certain way believing the events to be literally historically true, and maybe when you learn that they honestly weren't you feel a sense of shame for being gullible, or anger for being lied to. Maybe you reject the lie and discredit the work, or maybe you appreciate the lesson on the capacity of media to make you believe a lie, or maybe you watched and enjoyed the movie not even realizing it was supposed to be a true story.

    When the core intent is deception, you'll be hard pressed to find anyone to honor the work. But there are levels of deception that are tolerable when the core intent is the expression of something greater.

  3. compwiz101 says

    This whole kerfuffle with Beth Moon brings this video back to mind for me. Beth Moon, whom provided many photos to NatGeo that have now been shown to be heavily manipulated – often to make a starry sky more dramatic. Now, punching up the contrast may be one thing, but pasting in a starry sky (from a different location in the world) or clone-stamping the milky way to make it more impressive… and then selling it to natgeo as "real". Well, I'd call that cheating – NatGEO gets cheated, the readers and aspiring photogs are cheated, and I'd argue that Beth Moon is cheating herself.

  4. Wikki Foo says

    Best video of ur channel ..

  5. M.Janvier V says

    for fine-art photography or creative photography, you can do whatever you want, it's not cheating.
    But if it's for documentary purpose, it's cheating and I disdain this kind of "photography" personally.
    you can recompose by cropping or take more images for the perfect moment but if you are creating a image that you call it documentary, that's disgusting

  6. LEGOTROLL1 says

    if photo shot been setup should be stated.

  7. munir amlani says

    Sorry, I completely disagree. If the intent isn't to mislead, then disclose and disclaim it. If you are deliberately leaving that bit out, then your intention is clear. Then it's cheating!

  8. Hooked on Photography says

    4:08 and honestly one of his most boring, not so great photos. Ansel has many, many more photos that are outstanding. This one, not so great…interesting and a descent image (the scene and how he processed it, but his Sierra images are far, far better. 5:19 If you're supposed to be shooting journalism and having it printed in a newspaper, NatGeo, etc…then yes. The whole point is to see the scene as it is, real life. Why would anyone (a photojournalist) feel like they need to change the real scene? Their job is to capture real life. Fine art photography…ok, edit all you want because it's art.

  9. Kishore S says

    This video made me subscribe to your channel

  10. planetcheck says

    6:20 Pancake eater….LOL

  11. Samara says

    So good! My favourite lecturer taught me that from the beginning and especially now, photograhic and moving image media, although often perceived as capturing reality, are moreso curated, distorted reflections of it. Be it analog or digital, there are layers and layers of variables, choices and bias' that touch the images.

  12. minimin0425 says

    When does a photo become a lie?
    Just go on tinder or any dating app. All photos there are a big lie lol

  13. Edward Films says

    Photography isn’t just about truth

  14. John Moreno says

    Forensic or photojournalistic work should not be manipulated beyond exposure, density and color correction. Anyhing else is either art or editorial and open to all forms of manipulation serving the creators needs.

  15. t myers says

    excellent presentation… great storytelling

  16. Jio Den says

    If a photograph is presented as art, image manipulation is part of the medium.

    If a photograph is presented as journalism, then image manipulation is manipulation of truth.

    That’s why we make distinctions between photographer and photojournalist.

  17. Tony warisa says

    I don't see any wrong these phorograps were taken for art and display. If you guys like real photography just click it…..

  18. Hea Le says

    Something to think about. Great conversation piece.

  19. thomas pryor says

    Thank you, for the perspective. Art, journalism, storytelling, the lines can get blurry if one's expectation doesn't coincide with a candid snapshot. Moving forward I would like to see more transparency if only to temper my expectation of what I am viewing. Without any restriction on the photography itself. I never want to stop being blown away by a photograph; no matter how manipulated. What would be the fun in that?

  20. Gene Taylor says

    This is a simple answer, when photographers use significant digital manipulation of the image, the image becomes digital art, not photography. Adjusting exposure, color and cropping have all been a part of photography from its inception. Personally I spent many hours in the dark room, adjusting exposure, dodging dark faces and cropping the photos I was printing back in the 1970's. I do basically the same thing when I adjust these same elements of the photo in light room. But as soon as you begin to remove or add other images to a photo, you are then creating something that did not exist, thus you are creating Digital art. As long as digital art is not promoted as reality, there should be no issue. Of course when you put an image of a Great White Shark, swimming through the flooded streets of (pick any hurricane flooded city in recent years) and claim on Facebook that Sharks were swimming the streets of Miami, you are creating a hoax. Not cool in any way.

  21. Rick says

    it's cheating when art becomes propaganda…

  22. Michel Cavro says

    Hi Jamie, As you said, it is the choice of the photographer to choose what he (she) wants you to see. A picture is a representation, a still moment of a story, a perspective from a point of view. Everything is different from a other angle. The story and feeling has a different meaning then.
    Photography is an art. Art is cheating … for pleasing purpose.
    I personally try to differentiate journalism and photography. When the photograph reporter "arrange" his composition (as we see 90% of the times), it is not news anymore.
    When I watch a movie is for my entertainment and expect the picture to be manipulated. If I watch the news I expect them to be accurate and the pictures not being manipulated.
    Photography and journalism are two different things and should not be confused.
    So are most of the photographers cheating? Yes they are and they do it well. They're professionals and the results are good. Photographers are not the problem but the way the pictures are used or interpreted.

  23. LUD WIG says

    Photography is 90% editing. How can something be called art if the main process of a particular art is editing? I wouldnt call movies art either, it just isnt. There is painting, music, writing, architecture and sculpting….everything else is just complex manipulation. You can go ahead and call everything art…physics, maths, building lego castles, making food, dancing… I mean.. We have to look at the source of a certain art. Did photography come to this world as a tool or as a genuine spiritual need for expression? It came as a tool for documentation of events..

  24. Interstellar Axeman says

    It becomes a rule to lie when there are no rules, as the truth rules all lies or they would not be.

    Besides,….I do what I want.

    It helps to minimize any expectations which is easy to achieve this way,

    ….and even easier still when my eye is the beholder alone.

    Is it art? Is it a story? Is it creative? Is it more than one moment? A picture can be all those things and more.

    Consider the possibility, has it or will it be seen by another when taking it?, as the action of taking pictures affects people in many different ways, many times based on their assumptions or preconceived expectations, which is the first response or reaction some pictures elicit even before being seen.

    Sometimes people THINK they are in it when they arent, and I dont want them to be….usually ever.

    Sometimes people wander into a picture, and once they realize it, will not leave.

    Some people will see you looking at a subject and dart over by it, usually something uninteresting to most, but when you look at it, the second you look at it, they will go over there.

    Two things I do, because the phenomenon is real,…I never look directly at what it is until Im ready, then I whirl around and click the picture. When they decide to dart over at that point, I will briskly walk away, seemingly uninterested, and the person or persons will leave relatively quickly, then I will double back and finish up. It works EVERY time.

    It is the peripheral phenomenon of photography related human behavior that I consider part of making and taking pictures, that is the hardest part given the most effort,…and although true, it is a lie you will never see, because not ONE of those moth@rf*ckers is in any of my pictures.

    So, it is what ISNT in a picture that cannot be seen as it was more or less edited with nothing but time and more nothing, which is the truest lie of all,…while that is both art, and the truest truth there is.

  25. icantwait says

    Does it matter? Yes it does. Not because of a particular piece of art. But because by allowing this, opens a whole new aspect of ways of manipulating & deceiving the public.

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