How to Shoot Corporate Headshot Photography

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One of the jobs you will find yourself doing as a portrait photographer is Corporate Headshots. This isn’t usually glamorous work. You often only have a couple of minutes with each person and so speed and consistency are the name of the game. In this video I share a pretty comprehensive overview of the system I use when shooting Corporate Headshot Photography. I hope you pick up some useful tips.

Share it on if you found it helpful.

#headshots #whitebackground #photography

39 Comments
  1. TheYeti InOz says

    Fantastic video Sean. Thank you!

  2. kelstar flynso says

    Just fantastic – very comprehensive

  3. Transit Academy says

    Great work Sean – you just made tomorrow's shoot a whole lot smarter! Cheers from Toronto

  4. Vincent Alonzo says

    Fantastic video and explanation of your process. Thanks!!

  5. michael dimartino says

    This was excellent!! I learned a lot! Thank you!

  6. John CZ says

    Great video Sean, thanks

  7. Njeru Jack says

    shukran very much

  8. John Ryan says

    Best tutorial yet. Thank you

  9. Jonathan Taala says

    It's really amazing how he's encouraging you not to use a lightmeter. I love how it just kept tinkering until it looked right, when he could have had it done in 2 seconds if he just used a lightmeter… This video promotes alot of bad habits

  10. BMRTV says

    16:14 What about Back Button Focus?

  11. BMRTV says

    15:51 I wish more photo places/photographers did that. Customers of mine send me pics for the business cards and websites nicely cut right through the shoulder….total PIA.

  12. Scott Olson says

    I only watched this video out of personal interest, just to see what other photographers are doing. Having many years of experience with corporate head shots, I was not expecting to learn a lot of new information. All I can say is "thank you, thank you, thank you!" So many great tips! This was one of the most practical tutorials I have ever seen. I instantly hit the subscribe button after viewing it, and I have never done that before. Keep up the great work! I do have one question for Sean. If you were required to use a neutral gray (or darker) backdrop, would you keep the strip box in the same position? Thanks.

  13. MatthewTriola says

    Thank you so much. Subscribed.

  14. RoshuaJogers says

    How did you select your ND stop point?

  15. Israel Carvalho says

    Great content, Sean. Thank you very much for sharing!

  16. Thomas Dunkerley says

    Great instructional video, but I can't believe you actually hand your camera over to butter-fingered people to potentially drop. I always attached my camera to a solid tripod for just such purpose. Keep up the great work!

  17. golaizola says

    Good tutorial! Thanks.

  18. Abraham Farrar says

    What is that roller case you have all your gear in? Very helpful video thank you for sharing!

  19. Zach Eldridge says

    Thank you! Following now 👍👍

  20. Chase says

    Love the two-line trick for making it quick and easy to add or subtract mood! Thanks for this great video.

  21. Max Württemberger says

    Finally someone talking technique and workflow, not equipment! Really nice and comprehensive video, Very helpful. Thank you!

  22. Arthur Tarnowski says

    You are incredible, Sean! So much learned in only 23min. Awesome.

  23. Lauren says

    sooo thorough, love it, thank you!

  24. Derick Shalo says

    5d MK what??
    Proof it is not the camera, but the technical know how.

  25. David Adams says

    Excellent content – so refreshing to see professionalism presented in such a practical and matter-of-fact way. The mark of a true professional; delightfully understated.

  26. Doldena R says

    What is one does not have a type of key light like shown here with the umbrella but has two softboxes? would that do the same job?

  27. David Glabais says

    Really well done man. Very usable info here and well demonstrated. Are you using the Bowens trigger for those strobes. To solve the HSS issue you'd need a different transmitter and transceiver for the strobes?

  28. octap79 says

    ND is unnecessary…..if you can't remotely set your lights just shot on iso 200 or a bit higher to have the headroom to go lower or higher as needed. Nowdays DSLRs/ Mirrorless camera can handle perfectly with some higher ISO than 100. Nice video

  29. abanoub george says

    okay Mr sean you're officially my mentor

  30. Josh Medina says

    very helpful, thanks Sean!

  31. Denny Daniel says

    Great video. Thabkd for sharing! Where do you buy the background paper roll?

  32. Steven Lee says

    this is awesome stuff! one thing I wish you could have explained a bit more was how you decide when to increase or decrease your ND filter and what stop do you have it set at default?

  33. Riley says

    Incredible information, thank you Sean!

  34. Aobha Lynch says

    This vid makes me so exited , I’m getting my headshots at the end of next month

  35. Ridder van Doorne says

    At 8:00, better use a leafshutter camera LOL 🙂

  36. Thomas Gosling says

    God your skin is awful. Great video though.

  37. Charlie Wright says

    Sean Tucker what strobes do you use? The strobes I own I feel like are way over powered for indoor shoots (AD600) – What settings or specs do you recommend when picking a flash?

  38. Michael Schmitt says

    Really great !!!

  39. Logan Hall says

    This video is fantastic! Lot's of great info here…
    I was intimidated at first by your lighting setup as I only have a single strobe and a softbox continuous light. But as I kept watching I found myself pausing, rewinding and taking a ton of notes.

    I have a shoot on Friday and already feel better about it!
    Love the tip of letting the client choose the photo, write their name and the photo # on a sheet of paper and take another shot! I was trying to figure out how best to approach photo selection and this seems to check all the boxes.

    Cheers!

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